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SCREENINGS
DESCRIPTION 기계가 음악을 연주할 수 있을까? 도트 매트릭스 프린터와 턴테이블 사이는 어떻게 다를까? <광학 음향>은 ‘디 아더'가 구식 프린터로 만든 브루탈리즘적 음향 작품을 영상으로 새롭게 번역한다. Do machines play music? Is there a difference between a dot matrix printer and a record turntable? Optical Sound, Taanila’s 2005 wide-screen interpretation of The Other’s brutalist sound piece for an array of obsolete printers, depicts the devices ratcheting horizontally together in a stalled symphony, inkjets repeatedly blackening the same area on the page. A digital breakdown of an analogue effect. It was computer scientist Ray Tomlinson, responsible for establishing the first electronic mail delivery between two machines back in 1972, who chose the @ sign as part of an email address. He was looking for a character that could not conceivably appear in the computer user’s name. Taanila’s film fills the entire screen with scratchy inscriptions of this sign, which is now rapidly becoming a part of every individual identity. It’s not the blurring of man with machine that lies at the core of this film, but the blurring of the spaces that each has been traditionally obliged to occupy. We disappear into our data streams, which are everywhere and ‘nowhere’ at the same time.
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