Deann Borshay Liem is an Emmy Award-winning documentarian known for films that explore war, memory, family and identity including her landmark adoption films First Person Plural, In the Matter of Cha Jung Hee and Geographies of Kinship. Her work on the Korean War including Memory of Forgotten War, Crossings and the oral history project, Legacies of the Korean War, explores divided families and women’s role in peacemaking.

Deann Borshay Liem is an Emmy Award-winning documentarian known for films that explore war, memory, family and identity including her landmark adoption films First Person Plural, In the Matter of Cha Jung Hee and Geographies of Kinship. Her work on the Korean War including Memory of Forgotten War, Crossings and the oral history project, Legacies of the Korean War, explores divided families and women’s role in peacemaking.

Sung Nam HAN creates single channel videos, installations using blue background keying, AR photo /video works, art performances, and installations based on the theme of blue. She has staged a video x theater x dance art performance based on the concept of "Super Linear." She has been invited to OKAYAMA ART SUMMIT 2022 public program and performance (2022), Kyoto University of Arts "Japan Undersea Art Museum Project" (2022), German Cultural Institute "Evolution and Regression" dance performance direction (2022), performance at Singapore Art Week 2021, National Curated "Negentropic Fields" (2020) at the National Gallery Singapore, screened at the Guangdong Museum of Contemporary Art, Minikino Film Week, Thai Short Film Festival, Tampere Film Festival, Seoul International Experimental Film Festival, etc., She won the Excellence Award at Image Forum Festival, the Media Artist Award at Seoul International New Media Festival. She has had numerous solo and group exhibitions in Japan and abroad. She also directs and curates her own events related to interdisciplinary Art. First director of Japan Undersea Art Museum (JUAM), she is the representative of Interdisciplinary Art Festival Tokyo (2014-), Art in Country of Tokyo (2019-), and Interdisciplinary Art Project Kobe (2019-). the 20th EXPERIMENTAL FILM & VIDEO FESTIVAL IN SEOUL (2023), and VIDEOFORMES 2024 39th International Hybrid and Digital Arts Festival Competition Jury.
 

Prapat Jiwarangsan is a visual artist and film director from Thailand. He graduated from the Royal College of Art (RCA). He incorporates a variety of media, particularly photography, slides, and videos, to investigate and represent the relationships between history, memory, and politics in Thailand especially in relation to the theme of migration. Jiwarangsan has spent the last six years researching and creating artwork that tackles the issues faced by migrant workers in Southeast Asia. Notable results of his work, including <Ploy> (2020), <Parasite Family> (2021), and <Myanmar Anatomy> (2024), have been selected for the Berlinale Forum Expanded in 2021, 2022, and 2024, respectively.
 

Ellie Kyungran Heo is an artist who explores socio-ecological solidarity, conflict and coexistence through time-based media and interdisciplinary research. Her recent work studies how art can affect our perceptions of and responses to tensions between anthropocentrism and ecocentrism, how it can highlight ecological conflicts often neglected by social convention, and how it can promote alternative discourses—debate, reflection, and reconstruction—on relationships between living beings, and between their societies and environments.