Ahn Jeongyoon studied media arts at the Academy Minerva in the Netherlands. She won the Rising Artist Award at NEMAF(2010) and the Korean EXiS Award at the Experimental Film & Video Festival in Seoul(2016). Her work has been presented at IFFR(Rotterdam), MMCA(Seoul), KCCUK(London), LA Filmforum, EUKARYOTE(Tokyo), Rooftop films(New York).

Soojin Kwon is a film and media scholar as well as a video artist working at the intersection of contemporary art and technology. Based on her theoretical research in visual art and media, she has consistently combined critical inquiry with creative practice through the medium of moving images. She studied Communication Design at Parsons School of Design in New York, earned her MA in Media Studies from The New School, and completed a Ph.D. in Film Theory at Chung-Ang University’s Graduate School of Advanced Imaging Science. Her doctoral research focused on found footage experimental films, analyzing anti-aesthetic forms and the deconstruction of bodily images to explore new sensory frameworks in cinema. Her key areas of research include media archaeology, experimental films, sensory theory, and data-based art, with a critical examination of how technological media reshape human perception and experience. She has presented her work in both domestic and international academic journals and conferences. In 2025, at a lecture hosted by Art Sonje Center, she proposed experimental film as an artistic tool that provokes perceptual shifts rather than being merely formal experimentation. As an artist, she has exhibited at festivals such as the Seoul International Experimental Film Festival and the New Media Art Festival, with works that explore the relationships between technology, memory, and the body. Through her hybrid approach, she continues to expand the social meaning of art.

* Professional Experience
2022–2024: Curator, Seoul International Alternative Video & Art Festival
2023–Present: Research Director, Korean Association for Theatre and Drama Studies
2024–Present: Research Fellow, Convergent Media & Big Data Lab, Pukyong National University

* Research & Publications
Ph.D. Dissertation: A Study on Korean Film Aesthetics (影像) before Moving Image (映像), Graduate School, Hanyang University, 2020
Co-Author: Korean Cinema between Liberation and War, Park I‑jeong (ed.), Pakyong Publishing, 2017
Co-Author: An Jong‑hwa: 40 Years History of Korean Cinema, Korea Film Council, 2024

* Film Direction
Director, Short Film "Unboxing"(2024)

A film critic and film history researcher. Debuted in 2014 by receiving the New Critic Award from the Korean Association of Film Critics and has contributed reviews to various publications. Currently serves as a contributing writer for Le Monde Diplomatique’s Cinema Critique section. With a background in Korean literature, received a Ph.D. in 2019 with a dissertation on film censorship in 1970s Korean cinema. Teaches courses on theater and film at the university level. Maintains an ongoing interest in the history of Korean cinema and, as a research professor at a university-affiliated institute, is conducting research on the relationship between genre films and censorship.

Jangwook LEE has been practicing film-based works and expanded cinema. In 2004, he foundedSpace Cell Lab His major works are archived at Kofa,ACC and Arsenal

Currently a Research Professor at the Educational Research Institute for AI–Contents Future Industry at Chung-Ang University. She earned her Ph.D. in Film Studies with the dissertation "A Study on Visualization Strategy and Alternative Histories of Contemporary Archival Film," and her research focuses on film, new media, media archives, cultural memory, and postcolonial theory. She previously served as a Senior Researcher at the Research Center for Arts and Gender at Korea National University of Arts, and as a programmer for the Mise-en-scène Short Film Festival. She has also served on juries for film awards including the Blue Dragon Film Awards, and contributed as a film columnist for The Kukmin Daily and various online film magazines.

Youjin JEON is a multidisciplinary artist who began her career in film scoring before expanding her practice into sound art, performance, and sculpture, experimenting with new media technology. She is also a member of Seoul Express, an artist collective that creates narrative-based media works. In 2017, she founded Woman Open Tech Lab in Seoul, which engages critically with the practice of technology from a feministic perspective and seeks to foster a non-hierarchical technology culture. She is currently a visiting professor at Dongguk University and has directed public programmes including The Technology for Resistance.

Studied Art History and Philosophy. Previously worked as a curator at the alternative visual culture center iGong, and is currently involved in exhibition planning at a cultural foundation, exploring cross-genre connections across various media.