My work centers on non-fiction cinema, particularly documentaries. Since 2012, I have directed five short films and four feature-length films. In 2018, I received the Best Korean Documentary Award at the DMZ International Documentary Film Festival for , and in 2021, I was awarded the Pak Nam-ok Award for .

Ph.D. in Film Studies and lecturer at Chung-Ang University. His research focuses on cinematic representations of history and memory, posthuman, sci-fi films, and auteur studies. He has published scholarly works including “Jean-Luc Godard’s Metahistory”, “Cinematic Figuration on the Historicity of Refugee” “Posthuman Ontology of Female-figured Intelligent Machines in Contemporary Sci-fi Films”, as well as the monograph “Key Issues in 21st-Century Sci-fi Films”. He has also served as a programmer for the Mise-en-scène Short Film Festival and as a member of the Video Subcommittee of the Korea Media Rating Board.

Sue Jungsuh Lim is a Seoul-based multidisciplinary artist and creative producer, whose practice explores how art can evoke a ‘cinematic moment’ in someone’s life. She studied Graphic Design, Multimedia Moving Images, and Time-based Media across New Zealand, South Korea, and Austria. Her artistic career began with a short film she directed in 2013, which was invited to the Bucheon International Fantastic Film Festival and the Seoul International NewMedia Festival (NeMaf). Expanding her work across diverse formats, Sue is currently exhibiting a counter-mapping piece—developed during the UR Climate Data Field Lab in Kathmandu (2024)—at the 2025 Venice Architecture Biennale.

Film critic. He began his career in 2021 when he won the 3rd Independent Film Criticism Award. He has written about movies, games, art, and media movements in various media. He studied Art Studies and Cultural Studies. He is currently a member of the Criticism Section of the The Association of Korean Independent Film & Video.

Singer-songwriter. Actor. Meditation and yoga guide. Planner and producer of the compilation series "Please Tell Us Your Story", dedicated to the victims of the Japanese military “comfort women” system. Vocalist of the indie band Sogyumo Acacia Band. Currently engaged in diverse studies with a deep interest in a peace regime on the Korean Peninsula and in East Asia, and in the connectivity of the Eurasian continent.

Changmin Lee is a documentary filmmaker and scholar. He studied Catholic theology, documentary filmmaking, and film theory at university and graduate school, and earned his Ph.D. with a dissertation that proposes an apocalyptic reading of Béla Tarr’s second-period films. He has directed and produced several documentaries and experimental films, and was awarded the Audience Jury Prize at the 19th Seoul International ALT Cinema & Media Festival (NeMaf). He has taught film production and theory at institutions including the Korea National University of Arts and the Catholic University of Korea.

After working as a curator in both the United States and Korea and witnessing the rise and fall of alternative art spaces in both countries, I entered a Ph.D. program and presented a dissertation that examined the relationship between economy, society, and art through the lens of Niklas Luhmann’s social systems theory. I came to resonate with the worldview of operational constructivism—central to the theory—which posits that the world, including art, is defined and renewed through the accumulation of recursive communication. Over time, my research has increasingly focused on the nature of art and the conditions of human communication that make its perception and meaning possible. I now primarily explore and write about the epistemology of visual art.

Daechan Heo is a researcher, curator, and educator in the fields of media art and design, focusing on the contemporary environment shaped by technology and media, along with the phenomena and human activities within it. He is actively involved in various initiatives to promote the circulation and archiving of Korean media art. He currently serves as the Editor-in-Chief of the media arts channel ALICEON.co.kr(2019-), the head of the game research group The Play, and a member of the editorial board for the Journal of Design History Society of Korea. Heo has co-curated the Open Media Art Festival (2021-2022) and the KIAF 2023 Media Art Special Exhibition. He has also led educational planning and execution for initiatives like the Creative Arts Education Lab at the ARTE(KOREA ARTS & CULTURE EDUCATION SERVICE) and Contents Impact Program at the Korea Creative Content Agency. Additionally, he has collaborated on mentoring and professional support projects with Art Korea Lab of the Korea Arts Management Service and Hyundai ZER01NE. Recently, he has co-curated and co-authored Re:Media Art of Korea since 2000 with Art Center Nabi.