Writer & Director
Writer & Director
40th Korean Association of Film Critics Awards - Independent Film Support Award
14th Osaka Asian Film Festival - Special Mention
Writer & Director
16th Mise-en-scène Short Film Festival - Best Film in the Social Drama Section

Curator at the National Museum of Modern and Contemporary Art, Seoul. He majored in aesthetics and is interested in the meaning of humanity and art in a society that is changing due to new technologies. He has curated exhibitions dealing with the relationship between individuals in society, including William Kentridge - Peripheral Reflections and Krzysztof Boditsko: Apparatus, Monument, Projection.

Film Critic, PhD. In film Studies
2012-2013 Full-time researcher at Chung-Ang University Graduate School of Advanced Film Studies. Winner of the 2011 Youngpyeong Prize for New Criticism. Won the PAF Criticism Award for Performance and Review in 2015. Former) MC of EBS Cinema Heaven. Current) Appearing in programs such as KT olleh TV and CBS. Author of <When Romance and Comedy Meet>, co-author of <Understanding Film>, etc.

Professor of Seoul Media Institute of Technology.  Former sound designer at Studio K, Livetone Co., Ltd., and Solar Film/Video (NY). 
Sound Design List: Film <Gokseong>, <The King's Case Note>, <One Line>, Drama TVN <Mr. Sunshine>, OCN <Life on Mars>, JTBC <Misty>, SBS <Oily Melo>, MBC <Hospital Ship>

Film critic & Professor
After directing 4 short films with weak narratives in university, she began studying film theory at graduate school. Her research has focused on media, culture, and education related to Korean films . Currently she is teaching film theory and history at Seoil University, and contributing columns for the media.

Sung Nam HAN creates single channel videos, installations using blue background keying, AR photo /video works, art performances, and installations based on the theme of blue. She has staged a video x theater x dance art performance based on the concept of "Super Linear."
She has been invited to OKAYAMA ART SUMMIT 2022 public program and performance (2022), Kyoto University of Arts "Japan Undersea Art Museum Project" (2022), German Cultural Institute "Evolution and Regression" dance performance direction (2022), performance at Singapore Art Week 2021, National Curated "Negentropic Fields" (2020) at the National Gallery Singapore, screened at the Guangdong Museum of Contemporary Art, Minikino Film Week, Thai Short Film Festival, Tampere Film Festival, Seoul International Experimental Film Festival, etc., She won the Excellence Award at Image Forum Festival, the Media Artist Award at Seoul International New Media Festival. She has had numerous solo and group exhibitions in Japan and abroad. She also directs and curates her own events related to interdisciplinary Art. First director of Japan Undersea Art Museum (JUAM), she is the representative of Interdisciplinary Art Festival Tokyo (2014-), Art in Country of Tokyo (2019-), and Interdisciplinary Art Project Kobe (2019-). the 20th EXPERIMENTAL FILM & VIDEO FESTIVAL IN SEOUL (2023), and VIDEOFORMES 2024 39th International Hybrid and Digital Arts Festival Competition Jury.

Born  1975  in  Seoul,  Korea.  She  is  a  curator,  educator  and  researcher.  She  received  BA degree  in  Fine  Art  at  Ewha  Womans’s  University  and  MA  degree  in  Cultural  Studies (Interactive  Media:  Theory  and  Critical  Practice)  at  Goldsmiths  College,  University  of London,  UK.  She  has  also  finished  her  Ph.D  course  work  in  Media  Design  from  Ewha Woman’s  University,  Korea.  She  has  curated  experimental  projects  and  international exhibitions as a guest curator of Space 15th, Hanbit Media Art Gallery and Total Museum of Contemporary Art. 

Working as a media artist Hyun Ju Kim (ex-media) has been exhibiting various digital experimental films, interactive installation and robotic art nationally and internationally. Her computer interactive installations and performance projects deal with posthuman conditions in the techno-cultural society, exploring the notion of identities in such an environment with ubiquitous digital technologies. Previously as assistant professor of art at the University of Massachusetts Lowell, Kim has been teaching and researching in the area of convergent media and art at the Seoul Media Institute of Technology. She is also the main artist and the director of Expanded Media Studio, a visual & media arts research group at SMIT

An adjunct professor at the Korea National University of Arts and a film critic. She holds a Ph.D. in Film Studies and is currently pursuing a Ph.D. in Art History. She has worked as a journalist in the Culture Department of the Korea Economic Daily and has been active in various roles, including Secretary General of the Korean branch of the F

Ph.D. in Film Studies. Filmmaker. Received a doctoral degree with the dissertation titled "The aesthetics of Korean art images (影像) before cinematic images (映像)" and co-authored "Korean Cinema Between Liberation and War" (Pakijong Press, 2017). Currently, teaching film theory at Ajou University and Kyung Hee University. Directed the short film Unboxing (2024).

He majored in art education and has been working as a visual artist since the early 2000s, using photography and video as his main mediums. He works on independent screens from installation art, with short single-channel and multi-channel videos of around 10 minutes. He has won the SIA Media Art Awards, SongEun Art Awards, etc., and has been invited to the Shanghai Biennale and Liverpool Biennale, and His works are collected in the MMCA Korea, LEEUM, Microsoft Art Collection, and KIASMA.

MOON Ho Kyung writes and speaks of various cultural contents such as people, space, media, and policy making. She studied the history of art at the Graduate School of Sookmyung Women’s University and attained a master’s degree after taking a postgraduate course in the culture industry at Goldsmiths College, University of London. She has worked as a curator for the Hanwon Museum of Art and the National Women’s History Exhibition Hall. She is a lecturer in department of culture & content at Sangji University, Korea and is on a committee of the nemaf2024 and currently working as a curator.

After completing his master's degree in film studies with an interactive storytelling major at Dankook University with a Master of Fine Art in Graduate School of Cinematic Content and studied films, he earned a doctorate in Image engineering with a major in Computer Graphics / Virtual Reality from Chung-Ang University's Graduate School of Advanced Visual Arts. Currently, he teaches game programming, game design, and game aesthetics at various universities and graduate schools. He continues to give lectures on realistic media and convergence contents and is also participating in direct production. He continues to CG, VFX, and 3D in film and video. In addition, he directed and produced a number of VR movies. Currently, he is interested in the fields related to functional games and digital therapeutics and is studying them.